Originally published on GoshenCommons.org September 30, 2013
Last post I finished my review of Chris Ware’s “Building Stories” by arguing its place in North American visual history. This week, something much lighter, but not to be underestimated: “Love in Yop City.”
Continue reading “Zoinks! Ten Storylines! “Aya: Love in Yop City””
Originally published on GoshenCommons.org September 16, 2013
Last post I focused on the spaces in Chris Ware’s book-in-a-box called “Building Stories,” and the way that those spaces bring the reader into the story. I could write about Ware for the next few months, but for now, since I’ve already made the case that Ware’s work is as significant as literature like “Infinite Jest” and “Remembrance of Things Past,” I’ll discuss his significance within North American visual history, mainly by analyzing his work alongside the landscape paintings of Grant Wood.
Fuzzy on who Grant Wood is? Here’s his best-known piece, “American Gothic,” from 1930.
Continue reading “Visceral Comics, Part 2”
Originally published on GoshenCommons.org September 2, 2013
At the end of my last post about “image” in comics, I began discussing this week’s book for review—”Building Stories” by Chris Ware—which is really a box of 14 small books, pamphlets, magazines and even what looks like a game board. Here’s an image of the whole shebang from Britain’s newspaper “The Telegraph”:
Continue reading “Visceral Comics: Building Stories by Chris Ware, Part One”