Author: Jessica Baldanzi

Photo by Jill Steinmetz I’ve been a comics fangirl since I was a kid—Betty and Veronica to my big brother’s Spider-Man comics—and Chris Ware and Lynda Barry helped complicate my understanding of the genre when I lived in Chicago and their comics were serialized in New City and The Chicago Reader. I first brought comics into my professional life when I created and taught a course called The Graphic Novel in 2008. I’ve taught that class many times since then, have also given talks about comics to general audiences and scholars alike. Commons Comics began in 2013 as a way for me to learn how to blog and to stay current in the field. It was hosted first by my college, then picked up by The Elkhart Truth, a local newspaper, before I moved it to my own page. I teach English at Goshen College, a small but mighty liberal arts school in the “Michiana” area, east of Chicago on the border of Michigan and Indiana. My specialty in graduate school was twentieth-century and more recent American Literature, but my teaching has brought me into multiple fields. My upper-level courses have ranged from critical theory and gender and popular culture to memoir writing, and my introductory courses from to composition and speech to creative writing. I am now co-editing an essay collection with comics and religion scholar Hussein Rashid about Kamala Khan, the new Ms. Marvel. Look for it on the University Press of Mississippi in the coming year. (Working title: Ms. Marvel in America.)
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“Seek You,” Kristen Radtke

“Seek You: A Journey Through American Loneliness.” Written and illustrated by Kristen Radtke. Pantheon, $30. July 2021. 352 pp. Adult.

Disclosure: I received a free review copy of this book from Pantheon.

Content warning: Many readers have found the descriptions and illustrations of the primate research of Harry Harlow disturbing. Also, if you or someone you know is contemplating suicide, please contact the national suicide prevention hotline at 800-273-8255.

Thanks to Fables Books, 215 South Main Street in downtown Goshen, Indiana, for providing Commons Comics with books to review.

Check Fables out online at www.fablesbooks.com, order over the phone at 574-534-1984, or email them at fablesbooks@gmail.com.

“Loneliness is an emergency,” writes Kristen Radtke in a 2021 New York Times Book Review article. Radtke’s statement isn’t off the cuff. She’s been researching loneliness for her newest graphic narrative, “Seek You” since 2016, when she became disturbed and intrigued by the storm of isolation and paranoia swirling around the ugly presidential election year. The fear and suspicion that she was feeling as well as seeing around her, she discovered, were predictable side effects of a divided culture.

As she split her time between New York and Las Vegas, where she served as Art Director and Publisher for “The Believer” magazine, she began to notice Vegas’s distinct flavor of alienation, and the ways that it might serve as a microcosm of a form of isolation distinct to the U.S.:

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“Tunnels,” by Rutu Modan

“Tunnels.” Written and illustrated by Rutu Modan. Translated from the Hebrew by Ishai Mishory. Drawn and Quarterly, $29.95. November 2021. 284 pp. Teen to adult (but my 9 and 12 year olds loved it).

Disclosure: I received a free review copy of this book from Drawn and Quarterly.

Thanks to Fables Books, 215 South Main Street in downtown Goshen, Indiana, for providing Commons Comics with books to review.

Check Fables out online at www.fablesbooks.com, order over the phone at 574-534-1984, or email at fablesbooks@gmail.com.

“[W]e are all stuck here in this small piece of land,” said comics artist Rutu Modan in a recent CBC interview, when asked about the fraught location of her home country Israel. “Basically, we have the same target. I believe that most of the people living here want to live happily ever after. But the interpretation of the way to go there, to get to this perfect future, the ways are really different.”

Modan has never been one to shy away from difficult questions, but she doesn’t take herself too seriously, either—keep an eye out for a cow jumping over the moon in her most recent book, “Tunnels.” The romance and intrigue that Modan works into all of her comics (such as “The Property“) are never merely superficial plot devices, but a means to delve deeper. Modan’s newest story tunnels its own elliptical, surprising, and delightful narrative path as readers follow her rich, complex characters around and within their difficult, contested setting. Continue reading ““Tunnels,” by Rutu Modan”

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“The Day the Klan Came to Town,” by Bill Campbell and Bizhan Kodabandeh

“The Day the Klan Came to Town.” Written by Bill Campbell, illustrated by Bizhan Khodabandeh. PM Press, $15.95. August 2021. 128 pp. Teen to adult. (My 9- and 12-year-olds loved it, but be aware that the book includes some violent and disturbing images.)

Disclosure: I received a free review copy of this book, and contributed to its Kickstarter campaign.

Thanks to Fables Books, 215 South Main Street in downtown Goshen, Indiana, for providing Commons Comics with books to review.

Check Fables out online at www.fablesbooks.com, order over the phone at 574-534-1984, or email at fablesbooks@gmail.com.

“I’m not a big fan of writing heroic tales,” claims author and publisher Bill Campbell in a recent interview for Fanbase Press. This statement might sound odd coming from the author of “The Day the Klan Came to Town,” a fictionalized account of a historic day in Carnegie, Pennsylvania, in the early 1920s. The mixed immigrant neighborhood of this small town outside of Pittsburgh banded together to resist and expel a violent Ku Klux Klan rally. If these scrappy townspeople aren’t heroic, then who is?

Campbell adheres to the more traditional sense of the term “heroic,” however. What he rejects aren’t stories about heroes, per se, but stories about oversimplified, unrealistically independent heroes, who triumph by means of their own sheer will and determination. While Campbell’s book does follow a main protagonist, Sicilian immigrant Primo Salerno, Campbell and his illustrator, Bizhan Khodabandeh, who works under the name Mended Arrow, make it clear that the story of Carnegie in in August 1923 is a story of collective, not individual, resistance, as well as a story that refuses narratives of victimization:

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