“Superman Smashes the Klan,” by Gene Luen Yang and Gurihiru

“Superman Smashes the Klan,” by Gene Luen Yang and Gurihiru. DC Comics, May 2020. 240 pp. Paperback, $16.99. Ages: Most official outlets recommend twelve and up, although parents reporting to Common Sense Media say ten and up. (My eight-year-old has read it twice now.)

Thanks to Fables Books, 215 South Main Street in downtown Goshen, Indiana, for providing Commons Comics with books to review.

COVID-19 UPDATE: Fables is back open! Please enter through the back and follow store guidelines. High risk customers can still make browsing appointments before or after hours, and all customers can continue to order online at fablesbooks.com, over the phone 574-534-1984, or via email fablesbooks@gmail.com.

It’s 2020, and I wish this Superman storyline from the 1940s were no longer relevant. As the resurgence of hate in the US has made clear, however, we do need this story again. There’s no better choice for retelling it than Gene Luen Yang.

Yang labels himself “Cartoonist and Teacher” on his website. The first comics artist to serve as a National Ambassador for Young People’s Literature and the recipient of a MacArthur “genius” grant, Yang wrote and illustrated the near-instant classics “American Born Chinese” and “Boxers and Saints,” and has been crafting superhero reboots such as “The Shadow Hero” and a new Superman series that features not Clark Kent, but a Chinese teen named Kenan Kong.

The story that Yang adapted and revised for this book was originally released for radio rather than comics. “The Adventures of Superman,” broadcast in the U.S. from 1940 into the 1950s, ran this “Klan” story arc in the summer of 1946, right after the end of World War II. (You can hear the whole thing here.) Yang preserves the basics of the original story: Dr. Wan Lee, the patriarch of a Chinese American family, gets a new job, and moves the family out of Chinatown and into a house in Metropolis. They are visited by the “Clan of the Fiery Cross” soon after they move in:

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“Parable of the Sower,” by Octavia Butler, adapted by Damian Duffy and John Jennings

“Parable of the Sower,” by Octavia Butler. Adapted by Damian Duffy and John Jennings. Abrams Comics Arts, January 2020. 266 pp. Paperback, $24.99. Recommended for ages 15 and up.

Thanks to Fables Books, 215 South Main Street in downtown Goshen, Indiana, for providing Commons Comics with books to review.

COVID-19 UPDATE: Fables is back open! Please enter through the back and follow store guidelines. High risk customers can still make browsing appointments before or after hours, and all customers can continue to order online at fablesbooks.com, over the phone 574-534-1984, or via email fablesbooks@gmail.com.

In the intricately imagined worlds of the late science fiction writer Octavia Butler, apocalypse is nothing new, whether triggered by aliens, viruses, or disintegrating social and political structures. Butler isn’t for everyone. She was the first science fiction writer to win a MacArthur “genius” grant, yet some have found her work too stylistically direct, too political, or both. As the years have passed since the publication of her 1993 novel “Parable of the Sower,” however, she’s looking more and more like a prophet.

Yet Butler, who died in 2006, refused that role. In a 1998 address at MIT, she called “Parable of the Talents,” the sequel to “Sower,” “a cautionary tale, although people have told me it was prophecy. All I have to say to that is: I certainly hope not.”

Lauren Olamina, the teen protagonist of “Parable of the Sower,” is a reluctant prophet herself. The story is told from Olamina’s journals, part of which sound like any literary-minded teen’s journal might in the face of apocalypse—Anne Frank’s diary comes to mind—but part of which also records a new gospel Olamina has named “Earthseed,” which she feels driven to set to paper as the world around her becomes increasingly violent, desperate, and unpredictable.

I won’t pull any punches: Butler’s story is largely bleak, and writer Damian Duffy and artist John Jennings’s adaptation sometimes proves gruesome. If you’re in a fragile emotional state about the world right now, I recommend you put this book aside for another time. As Jennings himself put it in a recent interview in “Publisher’s Weekly,” “Parable of the Sower” “outhungers ‘Hunger Games’; that’s ‘Little Bo Peep’ compared to this.”

That said, Duffy and Jennings, who won an Eisner award in 2018 for their graphic novel adaptation of Butler’s novel “Kindred,” have created the most beautiful apocalypse I’ve ever seen:

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“Making Comics,” by Lynda Barry

“Making Comics,” by Lynda Barry. Drawn and Quarterly, November 2019. 200 pp. Paperback, $22.95.

Thanks to Fables Books, 215 South Main Street in downtown Goshen, Indiana, for providing Commons Comics with books to review.

COVID-19 UPDATE: Amazon’s super-slow for books right now: you can get books from your local bookstore even faster, Goshen folks! E-mail or call Fables, and you can pick your books up curbside or have them delivered. Contact the store at fablesbooks@gmail.com or call (574) 534-1984 to order.

 And don’t forget about gift certificates, a great way to support Fables, as well as Goshen’s other downtown small businesses during the crisis.

Lynda Barry is like a crazy cat lady for drawings. She gathers and nurtures lonely, awkward, and abandoned drawings, the drawings that you gave up on when they didn’t turn out like you’d planned. “Making Comics,” the most recent book from this artist, novelist, professor, and creativity guru is a weird and beautiful hybrid—per usual for this recently recognized MacArthur “genius.” Part inspirational narrative and part activity book, “Making Comics” teems with recopied drawings that her students threw in the trash or left behind in class. Barry has been taking in stray drawings like these for years, not out of pity, but out of boundless and judgement-free love.

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