“Pittsburgh,” by Frank Santoro

“Pittsburgh” by Frank Santoro. New York Review Comics, September 2019. 216 pp. Hardcover, $29.95. Adult.

Thanks to Fables Books, 215 South Main Street in downtown Goshen, Indiana, for providing Commons Comics with books to review. Visit the store or contact them at fablesbooks@gmail.com to find or order this or any book reviewed on this blog.

If you’re in the Michiana area looking for a last-minute holiday gift, Fables books has got your back! They’ll be open Monday 12/23 and Christmas Eve.

Think Pittsburgh—what do you picture? Most people imagine heavy, decaying industry: steel, rust, and grime. Frank Santoro sees color—really bright color. Witness this two-page spread:

In his new book “Pittsburgh,” Santoro, a native of the city, graciously invites readers into his personal history of the place, as he works to summon and piece together memories of his family, neighbors, and neighborhoods. Continue reading ““Pittsburgh,” by Frank Santoro”

“They Called Us Enemy,” by George Takei

“They Called Us Enemy” by George Takei, with Justin Eisinger, Steven Scott, and Harmony Becker. Top Shelf, July 2019. 208 pp. Paperback, $19.99. Middle to high school.

Thanks to Fables Books, 215 South Main Street in downtown Goshen, Indiana, for providing Commons Comics with books to review. Visit the store or contact them at fablesbooks@gmail.com to find or order this or any book reviewed on this blog.

How do you decide whether to stand for your principles or protect your family? It’s not a decision any parent should be forced to make, but actor and activist George Takei lived the consequences of his parents’ honesty. Fortunately for Takei—and for his massive fanbase, many of whom have followed him from the first “Star Trek” to his more recent roles in shows from “Furturama” and “Archer” to “Kim Possible”—he not only survived, but eventually thrived.

Now 82, this isn’t the first time that Takei has told the story of his family’s time in US internment camps for Japanese Americans. His memoir “To the Stars” also inspired the musical, “Allegiance.” The graphic memoir “They Called Us Enemy” is the most recent version of this thankfully brief chapter in his life, published by Top Shelf, best known for US congressman John Lewis’s graphic memoir trilogy “March.” Co-writers Justin Eisinger and Steven Scott helped Takei translate the narrative to comics form, and the art of Harmony Becker—subtle and manga-inflected (see, for example, the backgrounds and the giant tears on the page below)—transforms the story into a work of art.

When Takei and his family were first imprisoned in May 1942, they didn’t have any choices to make at all: US soldiers came to the door with bayonets to kick them out of their house. They had ten minutes to pack.

Continue reading ““They Called Us Enemy,” by George Takei”

“Rusty Brown, Part I,” by Chris Ware

Thanks to Fables Books, 215 South Main Street in downtown Goshen, Indiana, for providing Commons Comics with books to review. Visit the store or contact them at 574.534.1984 or fablesbooks@gmail.com to find or order any book reviewed on this blog.

”Rusty Brown, Part I” by Chris Ware. Pantheon, September 2019. 352 pp. Hardcover, $35. Adult. 

“Sprawling” is an adjective frequently applied to the visual and narrative style of vaunted comics master Chris Ware. The above image is only a section of the unfolded cover of his new book, “Rusty Brown, Part One,” but it well conveys the nested, insular, and almost maddeningly complex narrative mapping for which Ware is famous. (See my review of his 2012 book in a box, “Building Stories.”)

“Depressing” is an adjective frequently—perhaps most frequently—applied to Ware’s characters and their stories. In “Rusty Brown,” however, though the characters’ lives are often bleak, the book culminates in an expression of the type of hope and determination that keep Ware’s characters—and, really, the human race—going, even in the face of despair. “Books can’t tell us how to live,” he explains in a recent ”Guardian” interview, “but they can help us get better at imagining how to live.”

As well as how not to live, as some of the characters in “Rusty Brown” suggest. The book runs one by one through the stories of seven protagonists, introduced at the start of the book with film-like credits. The names are all very similar: for example, “W.K. Brown as W.K. ‘Woody’ Brown.” All of the characters either teach at or attend a small private school in Omaha, Nebraska. Though the real-life Chris Ware is associated with Chicago—he lives in the suburb Oak Park, populated by Frank Lloyd Wright buildings and patterns that echo throughout his work—he grew up in Omaha. “Rusty Brown” could be an alternate, “what if?” universe for Ware, especially since an art teacher at the school shares his name. Continue reading ““Rusty Brown, Part I,” by Chris Ware”